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Music of Irving Fine - Great Performances from the Library
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Directing Screen Performances
The core goal of Directing Screen Performances is to teach aspiring directors how to prepare and work with actors.Through a practical exploration of the major approaches to contemporary screen acting, you will learn how to formulate your own effective modes of communication to craft compelling performances. Directing performances for the screen starts well before the actor is cast and finishes well after the last slate is shot.In this book you will learn how to analyze a script, brief the casting director, rehearse the actors, decide on the visual treatment that enriches their performances, direct effectively on set and finesse the character in the edit.The director's process is clearly defined and augmented with illustrations, photographs and graphics, and each chapter concludes with practical exercises to consolidate the new knowledge.
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Imaginary Performances in Shakespeare
In Imaginary Performances in Shakespeare, visionary modernist theatre director Aureliu Manea analyses the theatrical possibilities of Shakespeare.Through nineteen Shakespeare plays, Manea sketches the intellectual parameters, the visual languages, and the emotional worlds of imagined stage interpretations of each; these nineteen short essays are appended by his essay ‘Confessions,’ an autobiographical meditation on the nature of theatre and the role of the director.This captivating book which will be attractive to anyone interested in Shakespeare and modern theatre.
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Home with Hip Hop Feminism : Performances in Communication and Culture
This book has won the 2015 Top Book Award from the NCA African American Communication and Culture Division (AACCD) of NCA Home with Hip Hop Feminism brings together popular culture and the everyday experiences of black women from the hip hop generation to highlight the epiphanic moments when the imagined and real body converge or collide. To date, there are no books devoted exclusively to black women that integrate performance auto/ethnography and media studies from a hip hop feminist perspective.This book serves as a three-sided intervention against a textually dominated feminist media studies, a white-centered feminist third wave theory, and a masculinist hip hop cultural project.Aisha S. Durham not only reclaims her voice in these three spaces, she also rewrites her hip hop history by returning to the intellectual, cultural, and physical places she calls home. The book will appeal to undergraduate and graduate students interested in media and cultural studies, race and ethnic studies, and gender and sexuality studies.
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From Stage to Studio : Performances versus Recordings in Classical Music
From Stage to Studio: Performances versus Recordings in Classical Music presents a cultural study of classical music-making through the analysis of live and studio performances of orchestral and operatic repertoire conducted by Sir Charles Mackerras. The close listening analysis is based on detailed research into Mackerras’s private collection of over 600 reel-to-reel and cassette tapes containing recordings of over 1,000 live performances which he conducted between the 1950s and the late 1990s.This is contextualized with evidence collected during ethnographic fieldwork observations, presenting the opinions of Sir Charles, orchestral musicians from major London orchestras and opera houses with whom he was working (Philharmonia, Orchestra of the Age of Enlightenment, Royal Opera House, English National Opera), and production team members working for recording industry leaders (such as Decca, EMI, and Chandos).This ethnography of classical music-making gives a voice to performers and music professionals, brings to light some important and heretofore hidden issues and explores a fascinating time of intense change in the recording industry. Including consideration of ways forward for performance, education, and recording, this book will be relevant to specialist practitioners, as well as music enthusiasts interested in concert life and recording studio habits, professional performers, recordists, music students, educators, and scholars interested in classical music.
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Iron Maiden The Reading Performances
Iron Maiden first appeared at the Reading Rock Festival in 1980 when Paul Di'Anno was fronting the band and Dennis Stratton was on guitar.They appeared second on the bill to UFO on the second night.Undoubtedly for Maiden's Steve Harris there was nothing but respect for the headliners with UFO's Pete Way being one of Harris's biggest bass guitar influences. Also on the bill that day were two future Iron Maiden members - Bruce Dickinson, then the lead singer with Samson, and guitarist Janick Gers of White Spirit, who were brought in as a replacement band. By 1982 when Maiden returned to Reading it was naturally as the headlining act on the Saturday evening.The band had gone through significant changes to the line-up, most notably with Bruce Dickinson now fronting them, which coincided with their rise in popularity. Incredibly it would be another twenty-three years before Maiden returned to Reading, by which time they were in their third decade and had become the undisputed giants of metal.Their longevity also stood out as most of the other major acts that performed over the three days had only appeared on the scene over the previous few years and none could boast a back catalogue quite like Maiden's. With a large collection of photos by Alan Perry and memorabilia from the gigs plus narrative from Iron Maiden biographer Neil Daniels, this book is a wonderful celebration of Maiden's unforgettable appearances at this British institution.
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The First Definitive Performances
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William Kapell: Live Performances
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