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Music and Youth Culture
Music and Youth Culture offers a groundbreaking account of how music interacts with young people's everyday lives.Drawing on interviews with and observations of youth groups together with archival research, it explores young people's enactment of music tastes and performances, and how these are articulated through narratives and literacies.An extensive review of the field reveals an unhealthy emphasis on committed, fanatical, spectacular youth music cultures such as rock or punk.On the contrary, this book argues that ideas about youth subcultures and club cultures no longer apply to today's young generation.Rather, archival findings show that the music and dance cultures of youth in 1930s and 1940s Britain share more in common with youth today than the countercultures and subcultures of the 1960s and 1970s.By focusing on the relationship between music and social interactions, the book addresses questions that are scarcely considered by studies stuck in the youth cultural worlds of subcultures, club cultures and post-subcultures: What are the main influences on young people's music tastes?How do young people use music to express identities and emotions?To what extent can today's youth and their music seem radical and progressive? And how is the 'special relationship' between music and youth culture played out in everyday leisure, education and work places?Features * The first comprehensive study of popular music and youth cultural studies * Includes rare historical work on pre-1950s youth cultures * Contains original photographs and diagrammatic illustrations.
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Electronic and Experimental Music : Technology, Music, and Culture
Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music—from its historical beginnings in the late nineteenth century to its everchanging present—recounting the musical ideas that arose in parallel with technological progress.In four parts, the author details the fundamentals of electronic music, its history, the major synthesizer innovators, and contemporary practices.This examination of the music’s experimental roots covers the key composers, genres, and techniques used in analog and digital synthesis, including both art and popular music, Western and non-Western. New to this edition:A reorganized and revised chapter structure places technological advances within a historical framework. Shorter chapters offer greater modularity and flexibility for instructors. Discussions on the elements of sound, listening to electronic music, electronic music in the mainstream, Eurorack, and more. An appendix of historically important electronic music studios around the globe. Listening Guides throughout the book provide step-by-step annotations of key musical works, focusing the development of student listening skills.Featuring extensive revisions and expanded coverage, this sixth edition of Electronic and Experimental Music represents an comprehensive accounting of the technology, musical styles, and figures associated with electronic music, highlighting the music’s deep cultural impact.
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Media Management and Live Experience : Sports, Culture, Entertainment and Events
Global and authoritative, this textbook maps modern, live experience media, the categories that thrive on real-time engagement and human connection – even in the age of synthetic content, AI and the Metaverse.Sports and sports betting, festivals, comedy, concerts, tours and theme parks are covered – plus theatre, trade events, conventions, museums and galleries, and immersive media. Live media events included are Burning Man, Glastonbury, the Indian Premier League, the English Premier League, Olympics, NBA and Bundesliga – plus sell-out Taylor Swift tours, the World Cup, Super Bowl, Ryder Cup and Formula One.Business models in this media category start with ticketing and advertising – now amplified with ecommerce, affiliate marketing, subscription and gambling transactions.Deep dives ask: Why is Saudi Arabia investing billions into golf and football?Why is standup comedy big in Nigeria? How are Broadway and the West End evolving? What do immersive technologies like Abba Voyage and the MSG Sphere offer for the future?With class questions, a quiz, summaries and slides for each chapter, this is a guide and course structure for anyone at university level or in industry studying the media, music, entertainment, events, exhibitions, sports, social media or gambling industries.
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Music, Culture, and Society : A Reader
The past ten years have witnessed an enormous growth of interest in questions of musical meaning and the extent to which it is informed by cultural experience and socially-derived knowledge.This collection of readings will stimulate further debate.It includes critically-acclaimed work which broke new ground in exploring the cultural significance of music and its social meanings, and which had a marked impact on musicology throughout the Western world.Three dozen extracts, a number of them no longer in print elsewhere, are grouped thematically to address such issues as music and language, the body, class, production, and consumption.The extracts have been chosen for the focus they give to particular areas rather than to form any unified framework for studying music and culture.Among the contributors are Jacques Attali, John Blacking, Michel Foucault, Lydia Goehr, Lawrence Kramer, Portia Maultsby, Rose Rosengard Subotnik, and Eero Tarasti.This reader will appeal to students and scholars of sociological and theoretical fields of culture, as well as to anyone interested in why perspectives on music history and music meaning have undergone sweeping changes at the end of the twentieth century.
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What are art and culture events?
Art and culture events are gatherings or activities that showcase various forms of artistic expression, such as visual arts, music, dance, theater, literature, and more. These events provide a platform for artists to share their work with the public and engage in creative dialogue. They also offer opportunities for individuals to immerse themselves in different cultural experiences, broaden their perspectives, and appreciate the diversity of human expression. Overall, art and culture events play a vital role in enriching communities, fostering creativity, and promoting understanding and connection among people.
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How do you separate artists and music?
Artists and music can be separated by recognizing that an artist is the creator of the music, while the music itself is the artistic expression that the artist has created. The artist brings their unique perspective, emotions, and experiences to their music, shaping it into a form of self-expression. On the other hand, the music stands as a standalone piece of art that can be appreciated and interpreted by the audience in their own way, separate from the artist's personal identity. While the artist and their music are interconnected, they can be distinguished as individual entities with their own significance.
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Which radio stations offer different knowledge, culture, information, and news content?
There are several radio stations that offer a variety of knowledge, culture, information, and news content. For example, NPR (National Public Radio) is known for its in-depth news coverage and cultural programming. BBC World Service provides international news and cultural insights from around the globe. Additionally, local public radio stations often offer a mix of news, cultural programming, and educational content tailored to their communities.
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Do I not care about world events and news at all?
It's possible that you may not be as interested in world events and news as others, and that's okay. People have different interests and priorities, and it's important to focus on what matters most to you. However, staying informed about major world events can help you understand the world around you and make informed decisions, so it's good to find a balance that works for you.
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The Funk Movement : Music, Culture, and Politics
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement.Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker.This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
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Radio Art and Music : Culture, Aesthetics, Politics
This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day.Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.
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Popular Music and National Culture in Israel
A unique Israeli national culture--indeed, the very nature of "Israeliness"--remains a matter of debate, a struggle to blend vying memories and backgrounds, ideologies and wills.Identifying popular music as an important site in this wider cultural endeavor, this book focuses on the three major popular music cultures that are proving instrumental in attempts to invent Israeliness: the invented folk song repertoire known as Shirei Eretz Israel; the contemporary, global-cosmopolitan Israeli rock; and the ethnic-oriental musica mizrahit.The result is the first ever comprehensive study of popular music in Israel. Motti Regev, a sociologist, and Edwin Seroussi, an ethnomusicologist, approach their subject from alternative perspectives, producing a truly interdisciplinary, sociocultural account of music as a feature and a force in the shaping of Israeliness.A major ethnographic undertaking, describing and analyzing the particular history, characteristics, and practices of each music culture, Popular Music and National Culture in Israel maps not only the complex field of Israeli popular music but also Israeli culture in general.
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Tween Pop : Children's Music and Public Culture
In the early years of the twenty-first century, the US music industry created a new market for tweens, selling music that was cooler than Barney, but that still felt safe for children.In Tween Pop Tyler Bickford traces the dramatic rise of the “tween” music industry, showing how it marshaled childishness as a key element in legitimizing children's participation in public culture.The industry played on long-standing gendered and racialized constructions of childhood as feminine and white—both central markers of innocence and childishness.In addition to Kidz Bop, High School Musical, and the Disney Channel's music programs, Bickford examines Taylor Swift in relation to girlhood and whiteness, Justin Bieber's childish immaturity, and Miley Cyrus/Hannah Montana and postfeminist discourses of work-life balance.In outlining how tween pop imagined and positioned childhood as both intimate and public as well as a cultural identity to be marketed to, Bickford demonstrates the importance of children's music to core questions of identity politics, consumer culture, and the public sphere.
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What are the boundaries of music and culture?
The boundaries of music and culture are fluid and constantly evolving. Music is a powerful form of cultural expression that can transcend geographical, linguistic, and social boundaries. It can serve as a bridge between different cultures, allowing for the exchange of ideas and traditions. However, music can also be influenced by and reflect the values, beliefs, and practices of a particular culture, creating a sense of identity and belonging. Ultimately, the boundaries of music and culture are shaped by the interactions and exchanges between different communities and individuals.
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Why can many people not separate artists and music?
Many people struggle to separate artists and music because they often associate the two with each other. The personal lives and actions of artists can influence how people perceive their music, and vice versa. Additionally, the emotional connection that people have with certain songs or albums can make it difficult for them to separate the music from the artist who created it. Finally, the media often focuses on the personal lives of artists, which can further blur the line between the individual and their music.
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What music, songs, and artists do you consider to be hipster music?
Hipster music is often associated with indie and alternative genres, with a focus on lesser-known or underground artists. Some examples of hipster music might include indie rock bands like Arcade Fire or The National, folk artists like Bon Iver or Fleet Foxes, and alternative acts like Tame Impala or Mac DeMarco. Additionally, hipster music can also encompass a wide range of eclectic and offbeat sounds, from lo-fi indie pop to experimental electronic music. Overall, hipster music is characterized by its non-mainstream appeal and its emphasis on authenticity and creativity.
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What are event culture and time culture?
Event culture refers to the way in which events, such as festivals, concerts, and sporting events, shape and influence a society's values, beliefs, and behaviors. Time culture, on the other hand, refers to the way in which a society perceives and organizes time, including concepts of punctuality, scheduling, and the pace of life. Both event culture and time culture play a significant role in shaping social interactions, traditions, and overall societal norms.
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